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COLLECTION NAME:
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Clyfford Still Archives
mediaCollectionId
CSM~7~7
Clyfford Still Archives
Collection
true
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|
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UNIQUE ID:
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PSCCS 2011-36-24-02-007
unique_id_
PSCCS 2011-36-24-02-007
UNIQUE ID
false
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Title:
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Installation view, Metropolitan Museum of Art, New York
title
Installation view, Metropolitan Museum of Art, New York
Title
false
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Creation Date:
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1978
creation_date
1978
Creation Date
false
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Work Creator Name:
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Campbell, Sandra L. Still
work_creator_name
Campbell, Sandra L. Still
Work Creator Name
false
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Work Display Measurement:
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2 x 2 inches (5.08 x 5.08 cm)
work_display_measurement_
2 x 2 inches (5.08 x 5.08 cm)
Work Display Measurement
false
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|
Work Material Medium Name:
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color film (film)
work_material_name
color film (film)
Work Material Medium Name
false
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|
Work Material Support Name:
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cardboard
work_material_support_name
cardboard
Work Material Support Name
false
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|
Work Technique Name:
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color photography
work_technique_name
color photography
Work Technique Name
false
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Work Style Period:
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|
realism (artistic form of expression)
work_style_period
realism (artistic form of expression)
Work Style Period
false
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|
Current Work Location Name:
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|
Clyfford Still Museum
current_work_location_name
Clyfford Still Museum
Current Work Location Name
false
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Creation Location:
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New York, New York
creation_location_
New York, New York
Creation Location
false
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Work Inscription:
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JUL 78N7
work_inscription
JUL 78N7
Work Inscription
false
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Work Description:
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This color slide features an installation view at the Metropolitan Museum of Art in New York. On the left, a viewer stands before Jackson Pollock’s “Autumn Rhythm (Number 30)” (1950, cropped). Proceeding clockwise, Franz Kline’s “Black, White, and Gray” (1959) is situated to the left of a doorway. To the right of the doorway, Robert Motherwell's "The Homely Protestant" (1948), Barnett Newman's "Concord" (1949), Hans Hofmann's "Veluti in Speculum" (1962), and Mark Rothko's "No. 16" (1960) line the walls.
work_description_
This color slide features an installation view at the Metropolitan Museum of Art in New York. On the left, a viewer stands before Jackson Pollock’s “Autumn Rhythm (Number 30)” (1950, cropped). Proceeding clockwise, Franz Kline’s “Black, White, and Gray” (1959) is situated to the left of a doorway. To the right of the doorway, Robert Motherwell's "The Homely Protestant" (1948), Barnett Newman's "Concord" (1949), Hans Hofmann's "Veluti in Speculum" (1962), and Mark Rothko's "No. 16" (1960) line the walls.
Work Description
false
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Citation:
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|
Installation view, Metropolitan Museum of Art, New York, 1978. Photo by Sandra Still. Courtesy the Clyfford Still Archives © Sandra Still
citation_
Installation view, Metropolitan Museum of Art, New York, 1978. Photo by Sandra Still. Courtesy the Clyfford Still Archives © Sandra Still
Citation
false
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|
Work Rights Statement:
|
|
© Sandra Still
work_rights_statement
© Sandra Still
Work Rights Statement
false
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Image Date Type:
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|
creation
image_date_type
creation
Image Date Type
false
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|
Image Type Format:
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|
Tiff
image_type_format
Tiff
Image Type Format
false
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|
Image Holding Institution:
|
|
Clyfford Still Museum
image_holding_institution_
Clyfford Still Museum
Image Holding Institution
false
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|
Image Collection Name:
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CSM Archival Collection: Objects
image_collection_name
CSM Archival Collection: Objects
Image Collection Name
false
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Image Rights Statement:
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Photo: Sandra Still, courtesy the Clyfford Still Archives
image_rights_statement
Photo: Sandra Still, courtesy the Clyfford Still Archives
Image Rights Statement
false
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Image Cataloger Name:
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|
Kate Landers
image_cataloger_name
Kate Landers
Image Cataloger Name
false
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Image Cataloger Role:
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Assistant Archivist
image_cataloger_role
Assistant Archivist
Image Cataloger Role
false
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