COLLECTION NAME:
Clyfford Still Archives
mediaCollectionId
CSM~7~7
Clyfford Still Archives
Collection
true
UNIQUE ID:
PSCCS 2011-36-13-01-006
unique_id_
PSCCS 2011-36-13-01-006
UNIQUE ID
false
Title:
Installation view of “American Art at Mid-Century 1”, National Gallery of Art, Washington, D.C., October 28, 1973-January 6, 1974
title
Installation view of “American Art at Mid-Century 1”, National Gallery of Art, Washington, D.C., October 28, 1973-January 6, 1974
Title
false
Creation Date:
1973
creation_date
1973
Creation Date
false
Work Creator Name:
Campbell, Sandra L. Still
work_creator_name
Campbell, Sandra L. Still
Work Creator Name
false
Work Display Measurement:
2 x 2 inches (5.08 x 5.08 cm)
work_display_measurement_
2 x 2 inches (5.08 x 5.08 cm)
Work Display Measurement
false
Work Material Medium Name:
color film (film)
work_material_name
color film (film)
Work Material Medium Name
false
Work Material Support Name:
cardboard
work_material_support_name
cardboard
Work Material Support Name
false
Work Technique Name:
color photography
work_technique_name
color photography
Work Technique Name
false
Work Style Period:
realism (artistic form of expression)
work_style_period
realism (artistic form of expression)
Work Style Period
false
Current Work Location Name:
Clyfford Still Museum
current_work_location_name
Clyfford Still Museum
Current Work Location Name
false
Creation Location:
Washington, District of Columbia
creation_location_
Washington, District of Columbia
Creation Location
false
Work Inscription:
DEC 73W5
work_inscription
DEC 73W5
Work Inscription
false
Work Relation:
PH-115
work_relation_
PH-115
Work Relation
false
Work Description:
This color slide depicts an installation view of the exhibition “American Art at Mid-Century 1” at the National Gallery of Art in Washington, D.C. Bradley Walker Tomlin's "No. 7" (1950, cropped) extends from the left edge of the frame, followed by Jackson Pollock's "Blue Poles" (1952, cropped), Robert Motherwell's "Jour la Maison, Nuit la Rue" (1957, cropped), and Milton Resnick’s “Mound” (1961, cropped). Proceeding clockwise, Hans Hofmann's "Lava" (1960) is on display to the left of Clyfford Still's PH-115 (1951, cropped). In the middle ground, David Smith's sculpture "The Banquet" (1951) appears before Franz Kline's "New Year Wall: Night" (1960). On view October 28, 1973 through January 6, 1974, the exhibition featured twenty-six paintings and sculptures by twenty-three American artists. The presentation of these works demonstrated the diverse artistic styles of post-World War II New York. Frederick and Marcia Weisman loaned PH-115 from their collection of Clyfford Still's artwork to appear in the exhibition.
work_description_
This color slide depicts an installation view of the exhibition “American Art at Mid-Century 1” at the National Gallery of Art in Washington, D.C. Bradley Walker Tomlin's "No. 7" (1950, cropped) extends from the left edge of the frame, followed by Jackson Pollock's "Blue Poles" (1952, cropped), Robert Motherwell's "Jour la Maison, Nuit la Rue" (1957, cropped), and Milton Resnick’s “Mound” (1961, cropped). Proceeding clockwise, Hans Hofmann's "Lava" (1960) is on display to the left of Clyfford Still's PH-115 (1951, cropped). In the middle ground, David Smith's sculpture "The Banquet" (1951) appears before Franz Kline's "New Year Wall: Night" (1960). On view October 28, 1973 through January 6, 1974, the exhibition featured twenty-six paintings and sculptures by twenty-three American artists. The presentation of these works demonstrated the diverse artistic styles of post-World War II New York. Frederick and Marcia Weisman loaned PH-115 from their collection of Clyfford Still's artwork to appear in the exhibition.
Work Description
false
Citation:
Installation view of “American Art at Mid-Century 1”, National Gallery of Art, Washington, D.C., October 28, 1973-January 6, 1974. Photo by Sandra Still. Courtesy the Clyfford Still Archives © Sandra Still
citation_
Installation view of “American Art at Mid-Century 1”, National Gallery of Art, Washington, D.C., October 28, 1973-January 6, 1974. Photo by Sandra Still. Courtesy the Clyfford Still Archives © Sandra Still
Citation
false
Work Rights Statement:
© Sandra Still
work_rights_statement
© Sandra Still
Work Rights Statement
false
Image Date Type:
creation
image_date_type
creation
Image Date Type
false
Image Type Format:
Tiff
image_type_format
Tiff
Image Type Format
false
Image Holding Institution:
Clyfford Still Museum
image_holding_institution_
Clyfford Still Museum
Image Holding Institution
false
Image Collection Name:
CSM Archival Collection: Objects
image_collection_name
CSM Archival Collection: Objects
Image Collection Name
false
Image Rights Statement:
Photo: Sandra Still, courtesy the Clyfford Still Archives
image_rights_statement
Photo: Sandra Still, courtesy the Clyfford Still Archives
Image Rights Statement
false
Image Cataloger Name:
Kate Landers
image_cataloger_name
Kate Landers
Image Cataloger Name
false
Image Cataloger Role:
Assistant Archivist
image_cataloger_role
Assistant Archivist
Image Cataloger Role
false