COLLECTION NAME:
Clyfford Still Archives
mediaCollectionId
CSM~7~7
Clyfford Still Archives
Collection
true
UNIQUE ID:
SFC.S02.B025.F001
unique_id_
SFC.S02.B025.F001
UNIQUE ID
false
Title:
Solomon R. Guggenheim Museum
title
Solomon R. Guggenheim Museum
Title
false
Creation Date:
1959–1995 (Bulk 1975-1976, 1985, 1992-1995)
creation_date
1959–1995 (Bulk 1975-1976, 1985, 1992-1995)
Creation Date
false
Work Creator Name:
Solomon R. Guggenheim Museum
work_creator_name
Solomon R. Guggenheim Museum
Work Creator Name
false
Work Creator Name:
Campbell, Sandra L. Still
work_creator_name
Campbell, Sandra L. Still
Work Creator Name
false
Work Creator Name:
Still, Patricia Alice Garske
work_creator_name
Still, Patricia Alice Garske
Work Creator Name
false
Work Material Medium Name:
ink
work_material_name
ink
Work Material Medium Name
false
Work Material Support Name:
paper
work_material_support_name
paper
Work Material Support Name
false
Current Work Location Name:
Clyfford Still Museum
current_work_location_name
Clyfford Still Museum
Current Work Location Name
false
Creation Location:
New York, New York
creation_location_
New York, New York
Creation Location
false
Creation Location:
312 Church Street, New Windsor, Maryland
creation_location_
312 Church Street, New Windsor, Maryland
Creation Location
false
Work Description:
This file contains correspondence from the staff of the Solomon R. Guggenheim Museum in New York City and press releases and news clippings about the Guggenheim Museum. The file begins with a Time Magazine clipping about the building and archetecture for the Guggenheim Museum in Manhattan. Next there is a letter and press release from public Affairs Office Anne Grausam about the New York premieres of two films by Michael Blackwood and narrated by Barbara Rose about ""The New York School" and "American Art of the 60's" with a talk from Rose about documentary films and art history. There is a letter and press release from Thomas Messer about the United States Bicentennial exhibitions at the Guggenheim in 1976 including Twentieth-Century Art Drawing, Painting 1880-1945 from the Guggenheim Collection, and Aspects of Post-War Painting in America. Sandra Still writes to the Guggenheim about Paintings 1880-1945 about how weak the exhibition is as it is an homage to European painting and a slap in the face of American artists, especially as Sandra feels that there is no bridge between European artists and Still's work. There are invitations to exhibition openings and receptions at the Guggenheim. Curatorial Intern Sophie Hager asking Patricia Still permission to reproduce PH-89 and PH-114 in black and white for the catalog for the Jack Youngerman show, which Still declines. There is a newspaper clipping for the Guggenheim Museum's expansion plans in Bilbao Spain from the New York Times. Project Assistant Curator Clare Bell contacts Patricia Still to reproduce Untitled 1951-52, oil on canvas, 113 x155" form the SFMoMA for a Roy Lichtenstein exhibition catalog, which Still declines. Finally, Assistant Managing Editor Edward Weisberger asks permission to reproduce PH-1060.
work_description_
This file contains correspondence from the staff of the Solomon R. Guggenheim Museum in New York City and press releases and news clippings about the Guggenheim Museum. The file begins with a Time Magazine clipping about the building and archetecture for the Guggenheim Museum in Manhattan. Next there is a letter and press release from public Affairs Office Anne Grausam about the New York premieres of two films by Michael Blackwood and narrated by Barbara Rose about ""The New York School" and "American Art of the 60's" with a talk from Rose about documentary films and art history. There is a letter and press release from Thomas Messer about the United States Bicentennial exhibitions at the Guggenheim in 1976 including Twentieth-Century Art Drawing, Painting 1880-1945 from the Guggenheim Collection, and Aspects of Post-War Painting in America. Sandra Still writes to the Guggenheim about Paintings 1880-1945 about how weak the exhibition is as it is an homage to European painting and a slap in the face of American artists, especially as Sandra feels that there is no bridge between European artists and Still's work. There are invitations to exhibition openings and receptions at the Guggenheim. Curatorial Intern Sophie Hager asking Patricia Still permission to reproduce PH-89 and PH-114 in black and white for the catalog for the Jack Youngerman show, which Still declines. There is a newspaper clipping for the Guggenheim Museum's expansion plans in Bilbao Spain from the New York Times. Project Assistant Curator Clare Bell contacts Patricia Still to reproduce Untitled 1951-52, oil on canvas, 113 x155" form the SFMoMA for a Roy Lichtenstein exhibition catalog, which Still declines. Finally, Assistant Managing Editor Edward Weisberger asks permission to reproduce PH-1060.
Work Description
false
Image Creator Name:
Milo Carpenter
image_creator_name
Milo Carpenter
Image Creator Name
false
Image Type Format:
PDF/A
image_type_format
PDF/A
Image Type Format
false
Image Holding Institution:
Clyfford Still Museum
image_holding_institution_
Clyfford Still Museum
Image Holding Institution
false
Image Collection Name:
Clyfford Still Archives - Subject Files
image_collection_name
Clyfford Still Archives - Subject Files
Image Collection Name
false
Image Rights Statement:
IN COPYRIGHT
image_rights_statement
IN COPYRIGHT
Image Rights Statement
false
Image Capture Hardware:
Epson Expression 10000 XL
image_capture_hardware
Epson Expression 10000 XL
Image Capture Hardware
false
Image Capture Operating System:
Mac osX
image_capture_operating_system_
Mac osX
Image Capture Operating System
false
Image Cataloger Name:
Milo Carpenter
image_cataloger_name
Milo Carpenter
Image Cataloger Name
false
Image Cataloger Role:
Digital Archivist
image_cataloger_role
Digital Archivist
Image Cataloger Role
false